Friday, January 29, 2010

art stories in January 2010


Masterpieces From Philadelphia in Seoul


Pablo Picasso’s “Woman and Children” is one of the masterpieces at the ”Monet to Picasso: Masterpieces from the Philadelphia Museum of Art” ongoing at Hangaram Art Museum, Seoul Arts Center, southern Seoul.
/ Courtesy of Organizers
By Cathy Rose A. Garcia
Staff Reporter

In recent years, several high-profile retrospectives of Claude Monet, Vincent Van Gogh, Pablo Picasso and Pierre Auguste Renoir have brought their artworks to Seoul.

Now, the ``Monet to Picasso'' exhibition gathers selected masterpieces from these European greats and more at the Hangaram Art Museum, Seoul Arts Center, southern Seoul.

Some 96 paintings, drawings and sculptures, reflecting a range of 19th and 20th century art in Europe and U.S., from the Philadelphia Museum of Art in Pennsylvania have traveled to Seoul for the first time.

The museum, which opened in 1877 and is one of the largest in the U.S., has been endowed with an impressive collection of landscapes, portraits and figure studies by French Impressionist and Post-Impressionist painters.

Among the masterpieces now in Seoul are Monet's ``Marine View with a Sunset,'' Pierre Renoir's ``Grand Boulevards,'' Van Gogh's ``Still Life with Bouquet of Daisies,'' Picasso's ``Woman and Children'' and Henri Matisse's ``Yellow Odalisque.''

The Seoul exhibition is divided into four sections. ``Realism and Modern Life'' shines the spotlight on realist painters, who favored naturalism over idealization, such as Gustav Courbet, Camille Corot, Eugene Boudin and Edouard Manet.

``The Battle of the Keasarge and the Alabama'' (1864) is Manet's first known seascape that depicts a naval battle from the American Civil War off the coast of France.

The second section focuses on ``Impressionism and Post-Impressionism.'' The French Impressionists introduced this revolutionary art movement in the 1860s, where they captured the immediate sensation of their natural surroundings at specific times of the day.

Perfect examples of Impressionists are Monet's ``Morning at Antibes,'' Alfred Sisley's ``Landscape (Spring at Bougival),'' Camille Pissarro's ``L'lle Lacroix, Rouen'' (The Effect of Fog) and Edgar Degas' ``The Ballet Class.'' Pierre-Auguste Renoir's ``The Grand Boulevards'' and ``Portrait of Mademoiselle Legrand,'' a very pretty portrait of a young girl, are also must-see paintings.
The Post-Impressionists favored a more abstract style, with more exotic subjects and use of vivid colors. Paul Gauguin's ``The Sacred Mountain'' (Parahi Te Marae), shows the tropical landscape of Tahiti with exotic flowers and bright colors.

Also included in this section are impressive sculptures by Rodin, Picasso, Degas and Matisse and Constantin Brancusi. One of the most famous pieces is Brancusi's ``The Kiss,'' a limestone sculpture of two tightly entwined lovers.
The third section ``Picasso and the Avant Garde'' is devoted to Fauvism, Cubism and Avant Garde art movements. Georges Braque and Pablo Picasso were widely credited with radically changing the perception of art with Cubism. In Cubism, space, mass and volume are depicted in ways that call attention to the flatness of the picture rather than creating a three-dimensional image.

This is exemplified in ``Woman and Children,'' Picasso's portrait of his then wife Jacqueline Roque, her daughter Cathy and his daughter Paloma; and Braque's ``Basket of Fish.''

Finally, the American art collection highlights artists Alexander Calder, Andrew Wyeth, Charles Demuth, Mary Cassatt and John Sloan, who have strong connections to Philadelphia and the museum as well.

The turning point in American art came in 1913, when the Association of American Painters and Sculptors held an exhibition of modern American art at the Armory in New York City. It showed that modernism had arrived in the U.S.

Cassatt, who was raised in Philadelphia, is credited with helping popularize Impressionism in North America. She is known for paintings featuring women and children, as seen in ``Family Group Reading.''

Other works in the section include Pop Art master Roy Lichtenstein's ``Still Life with Goldfish'' and conceptual artist Marcel Duchamp's ``Portrait of the Artist's Father.''

The ``Monet to Picasso'' exhibition runs through March 28. It is open 11 a.m. to 7 p.m. Tickets range from 7,000 won to 13,000 won. Visit pma.chosun.com or www.sac.or.kr.

To get there, get off at Nambu Bus Terminal Station subway line 3, exit 5 and take bus No. 12. which stops at Seoul Arts Center.

cathy@koreatimes.co.kr


Contemporary Art Museum Gears Up for Busy Year


“Moon Is the Oldest TV” (1976 version) by Paik Nam-june is part of the “Floating Hours” exhibition organized by the National Museum of Contemporary Art. It will travel to the Czech Republic, Romania and Bulgaria, from September to early 2011.
/ Courtesy of National Museum of Contemporary Art

By Cathy Rose A. Garcia
Staff Reporter

The National Museum of Contemporary Art is gearing up for another busy year with a full slate of exhibitions from Korean and international artists.

Bae Soon-hoon, director of the National Museum of Contemporary Art, said the museum hopes to attract 1.5 million visitors this year, a 36 percent increase over the 1.1 million in 2009.

The museum unveiled a lineup of 15 exhibitions that will be held at the museums in Gwacheon, Deoksu Palace and other venues, including one that will go abroad.

The ``Floating Hours'' exhibition, which features works by renowned Korean artists such as Paik Nam-june, Kim Ho-duck and Kang Ik-joong, will be held at the Deoksu Palace Museum from May 5 to July 4. The exhibition will then travel to museums in the Czech Republic, Romania and Bulgaria, starting September to early 2011.

Installation artist Park Ki-won, who was recently named the museum's Artist of the Year, will also be the focus of a solo exhibition, from April 7 to May 30 in Gwacheon.

Also in Gwacheon, pop Art lovers will be able to enjoy the ``Pop, Pop, Pop'' exhibition from Nov. 10 to March 2011. It will showcase representative works by some of the best contemporary Pop artists from East Asia.

A retrospective of American artist and composer John Cage (1912-2002) will also be held, July 14 to Oct. 3 in Gwacheon. Cage and his experimental music was a big influence on the Fluxus art movement of the 1960s.

At the National Museum of Contemporary Art at Deoksu Palace, the ``Asian Realism'' exhibition will run from July 28 to Oct. 10. Organized together with the Singapore Art Museum, it aims to examine the Realism movement in Asia from the 19th century to the 1980s. It will feature over 100 works by 80 Realism masters from 10 Asian countries.

Around 90 pieces from the Albertina museum in Vienna, Austria will be shown from Oct. 25 to Feb. 2011. The museum is known for having one of the largest print collections in the world, with around 65,000 drawings and one million old master prints.

There will also be retrospectives on Korean artists such Park No-soo, March 17 to April 18 at the museum in Deoksu Palace; Chung Chang-sup, Aug. 4 to Oct. 17, and sculptor Song Yung-su (1930-1970) Sept. 8 to Nov. 14, both at the museum in Gwacheon.

The exhibitions are part of the museum's efforts to appeal to a broader audience, Bae said. The museum is also stepping up its marketing and promotion campaign and improving its services for museum-goers.

Meanwhile, plans to convert the former Defense Security Command site in Sogyeok-dong, Seoul into a museum are underway. The architect to transform the building, popularly known as ``Gimusa,'' will be chosen by May. Demolition of the old building is scheduled for September.

For more information about the upcoming exhibitions, visit www.moca.go.kr.

cathy@koreatimes.co.kr



Listen to a Festival of Sound Art in Seoul


Australian artist Geoff Robinson created an installation at a junction at Seoul Seonggwak, Samcheong Park, Seoul from Dec. 19 to 30. He will recreate this work at KT&G Sangsangmadang Gallery, Hongdae, as part of “Sound Effects Seoul 2010: Sound Specific,” which opens Friday. / Courtesy of Sound Art Korea

By Cathy Rose A. Garcia
Staff Reporter

When people go to art festivals, they usually expect to see visually stimulating paintings and sculptures. But at the upcoming "Sound Effects Seoul 2010: Sound Specific (SFX Seoul)," people are invited to listen.

"SFX Seoul," the third international sound art festival organized by Sound Art Korea, opens Friday evening with a ceremony at Space Hamilton, Hannam-dong.

``This year's festival focuses on intimate relations between sound and the place where it is heard, featuring artists from Australia, Taiwan and Korea, in a series of exhibitions, discussions and live performances,'' Sound Arts Korea said in a statement.

Sound Arts Korea was formed in 2006 by Baruch Gottlieb and Ji Yoon Yang with the goal of promoting sound art in Korea. Gottlieb is an artist and taught for three years as a Media Art professor at Yonsei University Graduate School of Communication and Arts, while Yang is a curator specializing in sound arts and media performance.

For the festival, the artists explored the intimate relationship between a place and its sound, with Seoul as the backdrop.

``In 'SFX Seoul Sound Specific,' we invited our international selection of artists to consider the relation between sounds and space, the space of the city, the space of the exhibition, the sounds of the space and the sounds passing through the space, an alternative way to experience architecture and structures of urbanity,'' organizers said.

Works by Alice Hui-Sheng Chang, Yangachi (featuring Ryu Han-kil and Kwon Euy-hyun) and Kim Seoung-young + Oh Youn-seok will be featured through Jan. 31 at Space Hamilton.

Chang, an artist from Taiwan, creates works that focus on extended vocal techniques ``in hope of evoking a psychological connection to indescribable feelings.''

Kim and Oh collaborated on their sound sculptures and installations.

Yangachi is known for his large-scale narrative installations combining radio, video, sculpture, designer objects, text and Web-based elements. His ``Middle Corea'' project, which follows the virtual story of the Kim family, sniper Cha Ji-ryan and the Savior, is part of the festival.

Meanwhile, Australian artist Geoff Robinson will be showing his works at KT&G Sangsangmadang Gallery in Hongdae through Feb. 10. He is known for his ``surround sound audio landscape structures that combine sculptural and media-art techniques in a unique form of performative documentation,''

Robinson chose a particular place in Seoul to build his recording structure, capturing the sounds of the city. The physical structure will be recreated and the recordings to be played in the gallery.

The first "SFX Sound Effects Seoul" was staged in 2007, with exhibitions, performances, workshops and conferences. The following year, "SFX Radio 2008" featured two international exhibitions and a temporary terrestrial radio station, live performances and a conference.

This year's "SFX Seoul" will also have a forum on sound art on Jan. 13, at 2 p.m. on the 4th floor of KT&G Sangsangmadang, and live performances at 7 p.m., on the B1 level of the same building.

Space Hamilton is open from noon to 8 p.m., while KT&G Sangsangmadang is open from 1 p.m. to 10 p.m. Both are closed on Mondays. Visit http://sfxseoul.org.

cathy@koreatimes.co.kr


album reviews January 2010

UK Rockers Muse Rocks Seoul Muse lead singer and guitarist Matthew Bellamy performs at the Olympic Gym #1, Olympic Park, southern Seoul, Thursday evening. / Courtesy of 9Factory By Cathy Rose A. Garcia Staff Reporter British rock band Muse kicked off the New Year with an electrifying concert, Thursday evening at the Olympic Gym, Olympic Park, southern Seoul. The virtually sold-out audience didn't seem to mind the freezing temperatures outside and a delayed start. The crowd roared with excitement as lead singer and guitarist Matthew Bellamy, bassist Chris Wolstenholme and drummer Dominic Howard appeared on stage. Muse performed ``Uprising,'' the first single off their latest album, ``The Resistance.'' They followed it with ``Map of the Problematique,'' and ``Supermassive Blackhole.'' ``Gamsahamnida, Seoul,'' Bellamy said to the cheering crowd. Known as one of the best live bands around, Muse did not disappoint. With slick graphics in the background, the band gave powerful performances of ``New Born,'' ``Butterflies & Hurricanes'' and ``Hysteria.'' Bellamy's haunting falsetto voice and skillful guitar solos impressed the crowd, as well as Howard and Wolstenholme's drum and bass jams. Muse also played songs from their latest album such as the Queen-influenced ``United States of Eurasia,'' ``MK Ultra,'' ``Undisclosed Desires,'' ``Resistance'' and ``Unnatural Selection.'' For a band with just three members, it was impressive how Muse managed to perform with consistent intensity and keep the crowd's energy at a high level throughout the hour-and-a-half concert. The night would not have been complete without Muse performing hit songs ``Starlight'' and ``Time is Running Out.'' They closed the concert with ``Stockholm Syndrome,'' while huge white confetti-filled balloons came bouncing out into the crowd. Muse came back for a two-song encore: ``Plug In Baby'' and ``Knights of Cydonia.'' ``Thank you very much. You guys are amazing,'' Howard said. ``See you soon,'' Wolstenholme added, which raised hopes among fans that Muse will come back for another show. With their Seoul concert, Muse once again proved why they're considered one of the most thrilling live bands around. It was the band's third time to perform for Korean fans, after a concert and headlining performance at the Incheon Pentaport Rock Festival in 2007. The Seoul concert was Muse's first stop on the Asia-Pacific leg of ``The Resistance Tour.'' Other concerts will be held in Japan, New Zealand, Australia, Singapore and Hong Kong through next month. cathy@koreatimes.co.kr Album Reviews Original Motion Picture Soundtrack `Nine' (Universal Music Korea) The ``Nine'' soundtrack is comprised of songs from its star-studded cast: Daniel Day-Lewis, Penelope Cruz, Nicole Kidman, Kate Hudson, Marion Cotillard, Judy Dench, Sophia Loren and Fergie. As the lead actor, Day-Lewis does well in ``Guido's Song.'' Cotillard, who plays his wife, shines in ``My Husband Makes Movies,'' while his mistress played by Cruz oozes sex appeal in ``A Call from The Vatican.'' Hudson creates a playful atmosphere in the 60s-inspired track ``Cinema Italiano.'' Fergie, lead singer of the Black Eyed Peas, seduces listeners with the engaging ``Be Italian.'' While most of the cast prove to be able singers, the songs themselves are not very impressive. ―Cathy Rose A. Garcia Original Motion Picture Soundtrack `Avatar' (Warner Music Korea) The outstanding visual effects of director James Cameron have made ``Avatar'' a blockbuster hit, but the music by award-winning composer James Horner has made it even more memorable for viewers. Horner has managed to create an exotic and otherworldly soundtrack, yet classically orchestral. The music transports listeners to the enchanting world of Pandora and the Na'vi people. ``Jake's First Flight'' captures the high spirits of the character as he learns to fly, while ``Destruction of Hometree'' is hauntingly sad. British singer Leona Lewis sings the lovely theme song, ``I See You.'' ―Cathy Rose A. Garcia Green Day Promises to Rock Seoul American rockers Green Day will hold their first concert in Seoul, Monday evening at the Olympic Gym #1, Olympic Park. / Courtesy of Warner Music Korea By Cathy Rose A. Garcia Staff Reporter Grammy award-winning rock trio Green Day promises to put on a spectacle for Seoul, when they hit the stage here for the first time Monday evening. Green Day, composed of vocalist and guitarist Billie Joe Armstrong, bassist Mike Dirnt and drummer Tre Cool, wants fans to enjoy themselves at their first concert here at the Olympic Gym #1, Olympic Park, southern Seoul. ``We want everybody to have a good time at the concert. We don't want anybody getting hurt. That's punk, playing a show, having a party, having a good time. Come and expect to have a great time and see a great rock show! Because it will be one,'' Green Day said, in an e-mail interview with The Korea Times. Green Day has come a long way from starting out in Berkeley, Calif. in the early '90s to recently being voted Best Artist of the Decade by readers of U.S. magazine Rolling Stone. ``Boulevard of Broken Dreams'' was also voted Best Song of the Decade, while ``American Idiot'' was named Best Album of the Decade. ``We think we truly believe this is like our era. It's a defining moment for us. It's a monumental moment for us, this record and the last record. We're just glad people are excited about the new album. We worked our asses off on this record. And so, we think people are going to be really excited, even more excited, when they actually hear it,'' the band said. Green Day's politically charged rock opera, ``American Idiot,'' released in 2004, reaped critical and commercial success. It topped the charts around the world receiving Grammy Awards for Best Rock Album and Record of the Year. Their follow-up album, ``21st Century Breakdown,'' released in May 2009, was also a big hit. Last year, ``American Idiot'' was turned into a stage musical at the Berkeley Repertory Theater, using songs from the last two albums. Now, the musical, directed by Michael Mayer, will be making its Broadway debut in April. ``Mayer, who directed the musical `Spring Awakening,' created this story and it's like 'Jesus of Suburbia' kind of trapped inside his own head. When we saw the workshop, there wasn't a dry eye in the house. … It's amazing and a dream come true,'' Green Day said. Armstrong was very much involved in the musical adaptation, closely working with Mayer. ``Mayer kept e-mailing me different versions of his scenario and I was totally into the experiments I wanted to do. The next thing I want to do is write something completely new for Mayer to direct," Armstrong said. Despite their success, Green Day wants to keep pushing their music to new levels. ``It's important to us that we're still looked at as a punk band. It was our religion and our higher education. We'd like to just keep developing and evolving musically as a band,'' Green Day said. As for their plans this year, the band is excited to go on tour again. ``We think the support that we got with our last record, from the tour and just everything, gave us the opportunity to push ourselves further. It's given us the confidence to trust ourselves and the process enough to want to dig deeper. And here we are. And now we can't wait to take this thing on the road and play some shows. We really look forward to rock the world in 2010,'' they said. The Hyundai Card Super Concert VII: Green Day concert starts at 8 p.m. Tickets are nearly sold-out, but prices are 88,000 and 99,000 won. Visit ticket.interpark.com. cathy@koreatimes.co.kr Guitar Legend Jeff Beck in Seoul for First Times Guitar legend Jeff Beck will perform in Seoul for the first time March 20, Olympic Indoor Hall, Olympic Park. / Courtesy of Private Curve and Dream Club Factory By Cathy Rose A. Garcia Staff Reporter Guitar virtuoso Jeff Beck is coming to Seoul for the first time in March. Beck, who was inducted into the Rock and Roll Hall of Fame last year, is considered one of the best guitarists of all time. ``Jeff Beck: The 1st Live Concert in Seoul'' will be held at the Olympic Indoor Hall, Olympic Park, March 20. Beck is one of a few musicians who have been inducted into the Rock and Roll Hall of Fame twice, as a member of the Yardbirds, and as a solo artist. He was also ranked 14th in Rolling Stone's Top 100 Guitarists of all time. Many of Korea's rock musicians, such as Lee Seung-hwan, YB's Yoon Do-hyun, Boohwal guitarist Kim Tae-won, and Jang Ki-ha of Jang Ki-ha and the Faces, have looked up to Beck. The British guitarist is renowned for his experimental and spontaneous playing and technique. ``Writer Gene Santoro hailed `his strong vibrato, his fierce attack and fat tone, his acute microtonal sense of pitch when he bends or slides into a note, his sophisticated sense of melodic and rhythmic playing, his ability to wring painfully true notes from up by the guitar's pickups (and) his continuing use of the electric guitar to generate textures as well as notes.' Beck cultivated a singularly expressive voice on the guitar that obviated the need for a singer _ or at least gave Beck the option of choosing to work with or without one throughout his career,'' the Rock and Roll Hall of Fame described Beck on its Web site. Beck was born in Wallington, Surrey, England in 1944. He first made a splash when he joined the Yardbirds in 1965, after Eric Clapton left the blues-rock group. While with the band, the Yardbirds released the memorable singles ``Heart Full of Soul,'' ``I'm a Man'' and ``Shapes of Things.'' After leaving the group in 1967, Beck started a career as a bandleader. He had a few hits, including ``Hi Ho Silver Lining.'' The same year, he formed The Jeff Beck Group, which included future stars Rod Stewart and Ron Wood. They released two albums, ``Truth'' and ``Beck-Ola,'' and broke up before the Woodstock Festival, where they were supposed to play. Stewart went on to become a solo singer, while Wood later joined The Rolling Stones. Beck also formed a rock trio with bassist Tim Bogert and drummer Carmen Appice. As Beck, Boggart & Appice, they only released one album, in 1973, which included the Stevie Wonder-penned ``Superstition.'' After the trio went their separate ways, Beck focused on instrumental music, allowing his guitar to take center stage. In 1975, he released the all-instrumental rock-jazz masterpiece ``Blow by Blow,'' which was produced by George Martin. It was Beck's best-selling album, hitting number 4 on the Billboard album charts. He followed it up with another impressive album, ``Wired,'' also produced by Martin. These two albums are considered Beck's best works. In the 1980s, he released the solo albums ``There and Beck,'' ``Flash'' and ``Jeff Beck's Guitar Shop,'' which won Best Rock Instrumental Album at the 1990 Grammy Awards. In 1992, Beck was inducted into the Rock and Roll Hall of Fame for the first time, as part of the Yardbirds. Beck released ``Who Else!'' in 1999, his first album of original music in a decade. This was followed by ``You Had It Coming'' (2001) and ``Jeff'' (2003). In 2009, Beck was inducted into the Rock and Roll Hall of Fame for the second time, as a solo artist. Tickets for Beck's concert will be sold starting Wednesday (Jan. 20) at ticket.interpark.com. The concert is presented by Private Curve and Dream Factory Club. For more information, call (02) 563-0595. cathy@koreatimes.co.kr Ke$ha `Animal' (SonyBMG) Ke$ha makes an impressive debut as a pop star, with her first single ``TiK ToK'' landing on the top of Billboard's single charts for the first two weeks of 2010. ``TiK ToK'' has shades of Lady Gaga, but Ke$ha describes her music as ``trash-glam-pop-electro.'' Listen to ``Animal'' and you'll know exactly what the 22-year-old pop singer-rapper means. The album is filled with perky dance tracks with lyrics that will appeal to a youthful audience. She talks about creepy older men hitting on girls in ``Dinosaur,'' stalking her crush in ``Your Love is My Drug,'' and partying hard in ``Party at a Rich Dude's House.'' The slick sound is courtesy of top producers Dr. Luke and Max Martin. Whether you like Ke$ha's songs or not, there's no doubt that the infectious beats will stick in your head. _ Cathy Rose A. Garcia Original Motion Picture Soundtrack `Sherlock Holmes' (SonyBMG) British director Guy Ritchie's irreverent film adaptation of ``Sherlock Holmes'' offers action, mystery and thrills. It's only appropriate that the soundtrack by award-winning composer Hans Zimmer is as equally thrilling and exciting. Zimmer, who has done soundtracks for ``Dark Knight'' and ``Lion King,'' gives listeners something new. The album opens with ``Discombobulate,'' which starts off slowly but quickly turns into a rollicking piece. ``I Never Woke Up in Handcuffs Before'' is a crazy and fun number, while ``Not in Blood, But in Bond'' is a strangely haunting melody. ``Psychological Recovery … 6 Months'' is well-suited for the suspense-filled scenes in the film. _ Cathy Rose A. Garcia Album Reviews One Republic `Waking Up' (Universal Music Korea) One Republic, best known for their breakout hit with Timbaland ``Apologize,'' is back with their second album. The band haven't seemed to tinker much with their formula for success, which is perhaps why ``Waking Up'' has shades of their debut album, ``Dreaming Out Loud.'' There's a lot of pop-rock tracks like ``Made for You,'' ``Everybody Loves Me,'' and the title track, ``Waking Up.'' Vocalist Ryan Tedder, who has written songs for Kelly Clarkson, Beyonce, Leona Lewis and Westlife, comes up with good, radio-friendly material. ``Marching On'' seems poised to be this album's ``Apologize,'' even receiving the same remix treatment from Timbaland. The standard version includes two extra songs, including a live version of Tears for Fears' ``Shout,'' while the deluxe version includes a CD of five additional songs. While it doesn't quite break new ground, it's still a good sophomore effort. ― Cathy Rose A. Garcia OK Go `Of the Blue Colour of the Sky' (Warner Music Korea) OK Go's third album, ``Of the Blue Colour of the Sky,'' is a fun mix of disco, funk, electronic and pop music, with obvious influences from Prince. It opens with the irresistible ``WTF?'' in which lead singer Damian Kulash even sounds like Prince with his falsetto voice. There are some catchy 80s-inspired tracks like ``White Knuckles'' and ``End Love,'' but also slow ones like ``Skyscrapers'' and the lovely acoustic number ``Last Leaf.'' The rock anthem ``All is Not Lost'' will likely be a favorite at OK Go's concerts. The Chicago-based band doesn't shy away from experimenting with a new sound, and it obviously works with this album. But one thing remains the same _ OK Go's penchant for innovative eye-catching music videos. Be sure to watch the colorful, trippy video for ``WTF?'' ― Cathy Rose A. Garcia Adam Lambert `For Your Entertainment' (SonyBMG) Adam Lambert may not have won American Idol season 8, but he has certainly generated more publicity than the winner, Kris Allen, due to his flamboyant personality and a controversial performance at the American Music Awards. He lives up to the hype with his solid debut album, ``For Your Entertainment.'' Lambert mixes up different musical genres, obviously keen on not being pigeon-holed into just one. He collaborated with some of the best in the industry, including Muse's Matthew Bellamy (``Soaked''), Weezer's Rivers Cuomo (``Pick U Up''), Linda Perry (``A Loaded Smile''), and Pink and Max Martin (``Whataya Want From Me''). His personality shines throughout the album, especially in ``Fever,'' penned by Lady Gaga. ``Time for Miracles,'' which was initially on the ``2012'' soundtrack, is also included as a bonus track. ― Cathy Rose A. Garcia
Album Reviews


Beyonce
`I Am ... Yours'
(SonyBMG)

Pop superstar Beyonce is undoubtedly one of the most exciting performers around today. Fans can experience the Beyonce concert experience with the CD and DVD ``I Am ... Yours: An Intimate Performance at Wynn Las Vegas.''

The concert features 30 songs, including the catchy hits ``Single Ladies (Put a Ring on It),'' ``Irreplaceable,'' ``Halo,'' ``Sweet Dreams,'' and ``If I Were a Boy.'' Beyonce continues to impress with her strong vocals, powerful dance moves and charismatic stage presence. It also offers behind-the-scenes footage that gives a glimpse of the real Beyonce.

―Cathy Rose A. Garcia

Snoop Dogg
`Malice in Wonderland'
(Warner Music Korea)

Snoop Dogg returns to form in his 10th album ``Malice in Wonderland.'' The rapper's new album is full of collaborations with the hottest names in hip-hop such as Lil Jon, R. Kelly, The Dream and Soulja Boy. The tracks are a fusion of the gangsta rap that Snoop popularized, with today's trendy R&B and pop beats.

``I Wanna Rock,'' which samples ``It Takes Two'' by Rob Base and DJ E-Z Rock, is a sure-fire hit with its catchy riffs. There's a lot to like in this album: ``Gangsta Luv,'' ``Pimpin Ain't EZ'' featuring R. Kelly, and ``Special,'' featuring Brandy and Pharrell. Snoop doesn't exactly offer anything groundbreaking musically, but the album is still good fun.

―Cathy Rose A. Garcia

Kaori Muraji
`Kaori Muraji Plays Bach'
(Decca)

Classical guitarist Kaori Muarji has made a foray into the architectural world of J.S. Bach.
Bach's Cembalo Concerto Nos. 2 and 5, along with ``Air on a G String,'' have been arranged for guitar and orchestra.

The album makes the disparity between the cembalo (harpsichord) and the guitar quite palpable, since they cover different tonal ranges. At the same time, Muraji evokes an aura of a time long gone, and suggests that the guitar is not unlike the Baroque instrument in its capacity to express great intensity or quiet meditation.Also included are guitar solos ``Choral Jesus Bleibet Meine Freude'' and Partita No. 2.

―Lee Hyo-won

Friday, January 8, 2010

album reviews december 2009

Album Reviews

Jason Mraz
`A Beautiful Mess ― Live on Earth''
(Warner Music Korea)

Anyone who has seen Jason Mraz in concert knows he's a very compelling live performer, but does his on-stage charisma translate to a good live album and DVD? The answer is: yes. The new live album ``A Beautiful Mess'' captures the singer-songwriter's colorful personality, humor, energy and pitch-perfect performances.

The concert, recorded at the Charter One Pavilion in Chicago in August, features performances of his breakout hit ``I'm Yours,'' ``The Remedy,'' ``Dynamo of Volition,'' and ``Lucky'' with guest singer Colbie Caillat. Aside from the full-length concert, the DVD also includes backstage footage and a ``mockumentary,'' ``Un Beau Desordre.'' Watching the DVD makes you wish Mraz would come back to Seoul again for another concert.

―Cathy Rose A. Garcia

Britney Spears
`Britney: The Singles Collection'
(SonyBMG)

With several multi-million selling albums and No. 1 hits, there's no doubt Britney Spears was and, arguably, still is one of the biggest stars in pop music today. Forget about the scandals; Spears has consistently churned out infectious pop and dance tracks that top charts all over the world.

``The Singles Collection,'' the 28-year-old singer's second greatest hits compilation, is mostly filled with memorable dance songs such as ``Oops! … I Did It Again,'' ``I'm a Slave for You'' and ``Toxic.'' Also included are collaborations: ``Boys'' with Pharrell and ``Me Against the Music'' with Madonna. An added bonus is ``3,'' a racy disco track.

―Cathy Rose A. Garcia

2PM
`01:59 PM'
(Loen Entertainment)

The full-fledged album of boy group 2PM is finally here. The group is still leaderless with rumors of Jae-beom coming back, but until then, fans will just have to be satisfied with the new album. The main track ``Heartbeat'' is different: dark, edgy and raw. For those who are not used to the group's edgier side, try ``Tired of Waiting,'' which has a more familiar rhythm and beat. The slower tracks, ``Gimme the Light'' and ``Back 2 You,'' also bring out the member's distinctive voices and style. The album also carries the group's hit singles ``10 Out of 10,'' ``Again and Again'' and ``I Hate You.''

―Han Sang-hee


Album Reviews


Lady Gaga
`Fame Monster'
(Universal Music Korea)

Pop star Lady Gaga, often described as this generation's Madonna, has come out with new material on this double disc ``The Fame Monster.'' The first disc offers seven new songs, including the much-hyped ``Telephone'' with Beyonce. She solidifies her disco diva reputation with ``Bad Romance'' and ``Money Honey'' while experimenting with a different sound in ``Teeth.''

Gaga, whose name was taken from Queen's Radio Gaga, does a pretty good imitation of the legendary band in the soaring ``Speechless.'' The second disc features songs from her debut album ``The Fame,'' plus two bonus tracks ``Disco Heaven'' and ``Retro Dance Freak.'' Overall, it's a great album to have on when you're getting ready to hit the clubs.

―Cathy Rose A. Garcia

Leona Lewis
`Echo'
(SonyBMG)

There were high expectations for Leona Lewis's new album ``Echo,'' the follow-up to the chart-topping ``Spirit'' (the fastest selling debut by any artist in the U.K.). The British singer, who won the TV talent show X-Factor, fills the album mostly with ballads that show off her pipes.

The first single ``Happy'' is a showcase for Lewis's vocal prowess, proving she's stiff competition for other reigning divas like Mariah Carey and Whitney Houston. She tries some R&B with ``Can't Breathe'' and upbeat pop with ``Love Letter.'' Her foray into the pop-rock route with OneRepublic on ``Lost Then Found'' is passable, with that distinctive sound crafted by the group's frontman Ryan Tedder.

―Cathy Rose A. Garcia

Westlife
Where We Are
(Sony Music)

The Irish pop group Westlife returns with a new album, its first in two years, featuring its signature emotional ballads. The group has downsized to four members, but this hasn't prevented the group from being as good as before. The new album shows more maturity, with stronger beats and edgier choruses and lyrics.

The first single, ``What About Now,'' which is a remake of a number by rock band Daughtry, displays the band's transformation _ it's far from the sugar-coated tracks Westlife is famous for, but still manages to bring out those soft harmonies fans adore. ``I'll See You Again'' proves that they don't need more members to come up with a grand-scale number, while ``Sound of Broken Heart'' is a delightful up-tempo track.

―Han Sang-hee

New Albums Bring Christmas Cheer


Barry Manilow sings Christmas tunes in his new album "In the Swing of Christmas."
/ Courtesy of SonyBMG
By Cathy Rose A. Garcia
Staff Reporter

Christmas is just around the corner, and if you haven't been feeling the holiday spirit, then maybe it's time to pick up a Christmas album.

Established artists like Bob Dylan and Barry Manilow, along with rising pop singer David Archuleta are giving a fresh take on Christmas carols. Classic Christmas albums by Nat King Cole, Placido Domingo and Leonard Bernstein are also being re-released in time for the holiday season.

Dylan caused a stir when he decided to release his first Christmas album in his 46 year career. The rock icon, more known for his cynical tunes than cheerful carols, will give the proceeds from the album to charity.

Dylan's ``Christmas In The Heart'' is straightforwardly nostalgic, from the traditional cover featuring a horse-driven sleigh to the selection of songs. At first it sounds disconcerting to hear him sing about Santa Claus, snowflakes, angels, drummer boys and winter wonderlands, but there's a touch of warmth in the songs.

His croaky voice sounds sincere enough in ``The Christmas Blues'' and ``I'll Be Home for Christmas,'' and even jolly in ``Must Be Santa.'' Dylan's Christmas album is sort of what you can imagine Scrooge would have sounded like if he had decided to break out in song at the end of ``A Christmas Carol.''

Meanwhile, Manilow offers an album of yuletide tunes: ``In the Swing of Christmas.'' It was originally released in 2007 in the United States, but it is only now hitting stores in Korea.

``My favorite holiday memories are of the music ― all those great Christmas classics that filled our small apartment. For this CD, I chose songs that take me back to that good feeling,'' Manilow said, in the album's notes.

The American crooner succeeds in putting listeners in a jovial mood with upbeat versions of ``Jingle Bells,'' ``Joy to the World/It's the Most Wonderful Time of the Year'' and ``Count Your Blessings.''

On the other hand, Archuleta, who finished as the runner-up on season 7 of "American Idol," releases his first holiday album ``Christmas From the Heart.'' The album mainly features slow, soulful versions of ``Joy to the World,'' ``Silent Night,'' ``O Come All Ye Faithful'' and ``O Holy Night.''

With his squeaky clean image and clear voice, Archuleta is perfectly suited to these Christmas carols. Also included are two pop tracks, ``Melodies of Christmas'' and ``Have Yourself a Merry Little Christmas,'' which he sings in a duet with rising Filipino singer Charice Pempengco.

Nat King Cole is perhaps the singer most identified with Christmas. His version of ``The Christmas Song,'' written in 1945 by Robert Wells, was originally recorded in 1961 and has become an all-time favorite.

Even though dozens of artists have remade the song, only Cole singing the lines (i.e. ``Chestnuts roasting on an open fire…'') truly get you in the mood to spread the holiday cheer.

Warner Music Korea has re-released ``The Christmas Song,'' featuring the 16 original tracks plus four bonus songs. Thanks to music technology, Natalie Cole sings with her father on a lovely new version of ``The Christmas Song,'' while R&B singer Anthony Hamilton lends his vocals to ``Buon Natale.''

SonyBMG Korea also released ``Christmas Carols,'' a special set featuring four discs for the price of one. The included albums are: ``Mario Lanza Sings Christmas Carols,'' ``Placido Domingo and the Vienna Choir Boys: Ave Maria,'' Eileen Farrell's ``Carols for Christmas'' and Leonard Bernstein's ``The Joy of Christmas.'' It's a good compilation of songs that people will be listening to every Christmas for years to come.

cathy@koreatimes.co.kr


Album Reviews


Rihanna
`Rated R'
(Universal Music Korea)

Pop singer Rihanna goes for a darker sound with her new album ``Rated R.'' It is not so surprising after all, in light of the assault she experienced at the hands of her then-boyfriend Chris Brown earlier this year.

The ``love gone wrong'' theme runs through most of the songs, and the singer uses the album to tell the world just what she feels about the whole experience. Rihanna sings about being a victim in the ballads ``Russian Roulette'' and ``Stupid in Love,'' how she's nursing a broken heart in ``Photographs'' (featuring will.i.am) and having regrets in ``Cold Case Love'' (co-written by Justin Timberlake). There's not many dance songs that people have come to expect from her, but she does do a bit of dance hall with ``Te Amo'' and rock with guitarist Slash on ``Rockstar 101.''

―Cathy Rose A. Garcia

Queen
`Absolute Greatest'
(Warner Music Korea)

Legendary rock band Queen is often considered one of the greatest British rock bands in history. Composed of flamboyant lead singer Freddie Mercury (who died in 1991), guitarist Brian May, bassist John Deacon and drummer Roger Taylor, Queen was famous for their theatrical and bombastic performances.

This compilation features 20 of Queen's most popular hits, including ``We Will Rock You,'' ``Under Pressure,'' ``We Are the Champions'' and ``Bohemian Rhapsody.'' It makes you realize how much of an influence Queen was and still is on today's musicians. This is a fine compilation to get re-acquainted with Queen's music.

―Cathy Rose A. Garcia

Various Artists
`Style Meets Music'
(SonyBMG)

Lifestyle channel OnStyle worked with Sony Music to release a compilation album ``Style Meets Music.'' It is filled with songs that have been featured on trendy American shows such as ``Gossip Girl,'' Sex and the City'' and ``90210.'' These songs are from different genres, pop, rock, ballads and dance, but all aimed at a young, hip audience.

Dance to the beat of Ciara and Justin Timberlake's ``Love, Sex, Magic,'' and MGMT's electronica anthem ``Kids.'' Fall in love with sweet songs such as Sara Bareilles' ``Love Song'' and Lenka's ``Don't Let Me Fall.'' The Fray adds some pop rock with ``Absolute,'' while R&B is represented by Chris Brown's ``With You.'' It's a pretty good mix of songs from some of today's hottest music stars.

―Cathy Rose A. Garcia


Album Reviews


Norah Jones
`The Fall'
(Warner Music Korea)

Grammy Award-winning singer Norah Jones flirts with a new pop-rock sound in her fourth album ``The Fall.'' If you're expecting her trademark jazz sound from ``Come Away With Me,'' you'll be disappointed. But once you give ``The Fall'' a listen, Jones pleasantly surprises with the slow rock beats of ``Light as a Feather,'' ``Chasing Pirates'' and ``Young Blood.''

Jones' distinctive languid vocal style works well with the bluesy ``Man of the Hour,'' and the folk-influenced ``Tell Yer Mama.'' On the hauntingly beautiful ``Back to Manhattan,'' Jones makes references to her break-up with bassist Lee Alexander. With the album, Jones shows she's not afraid of mixing it up, and she succeeds quite impressively.

―Cathy Rose A. Garcia

Snow Patrol
`Up to Now'
(Universal Music Korea)

Alternative rock band Snow Patrol has just released a new compilation, drawn from the five albums it has released in its 15 year career. The two-disc set features 30 songs chosen by the band members as their favorites, including not just hits but B-sides and rare tracks as well.

With its melancholic sound, the Northern Irish band has earned comparisons with Coldplay. This is most evident in their biggest hits, ``Chasing Cars,'' and ``Run'' (bonus live versions of the two songs are included). Also on the album are three new tracks: ``Just Say Yes,'' ``Give Me Strength'' and ``Dark Roman Wine.'' There's also the band's rock version of Beyonce's ``Crazy in Love.''
If you're not yet a fan of Snow Patrol, this is a good way to get acquainted with the band's music.

―Cathy Rose A. Garcia

Robbie Williams
Reality Killed the Video Star
(Warner Music Korea)

British singer Robbie Williams goes back to his pop roots with his eighth album. ``Don't call it a comeback, look what I invented here,'' he sings on the 80s-inspired ``Last Days of Disco.'' The former Take That singer goes for the trendy electronic pop sound on dance tracks ``Bodies,'' and ``Starstuck,'' but also included the ballads ``Morning Sun'' and ``You Know Me.''

Produced by Trevor Horn (a former member of The Buggles whose hit song ``Video Killed the Radio Star'' is the reference for the album title), the album is a solid effort by Williams. Unfortunately, it doesn't seem quite enough since it became the first of Williams' albums not to debut number one on the U.K. album charts.

―Cathy Rose A. Garcia

Album Reviews


Alicia Keys
`The Element of Freedom'
(SonyBMG)

Grammy Award-winning singer-songwriter Alicia Keys continues to shine with her fourth album``The Element of Freedom.'' A well put together album, it shows a more mature side to Keys. There's a string of good R&B tracks, such as the first single ``Doesn't Mean Anything''; ``Try Sleeping with a Broken Heart'' and ``Un-thinkable (I'm Ready),'' which includes background vocals from hip-hop sensation Drake.

``Put It In A Love Song'' is one of the best tracks, although Beyonce almost overshadows Keys. Yet, the New York City native's soulful vocals are always top-notch. For such a confident album, it's surprising that none of the tracks really stand out as a hit single like ``Fallin'.''

―Cathy Rose A. Garcia

John Mayer
`Battle Studies'
(SonyBMG)

With his growing reputation as a ladies' man, it's easy to forget that John Mayer is one very talented singer-songwriter. ``Battle Studies'' reminds listeners of this fact. It's an enjoyable album filled with Mayer's brand of bluesy pop tunes dealing with the theme of lost love. The song titles say it all: ``Heartbreak Warfare,'' ``Perfectly Lonely,'' ``All We Ever Do is Say Goodbye'' and ``Friends, Lovers or Nothing.''

Mayer made the keen decision of asking pop sensation Taylor Swift to sing back up on ``Half of My Heart,'' a surefire way of ensuring more radio airplay. Other standout tracks include the folksy ``Who Says'' and ``War of My Life.''

―Cathy Rose A. Garcia

The Killers
`Live from the Royal Albert Hall'
(Universal Music Korea)

American rock band The Killers has just released a CD-DVD of their July 5 and 6 concerts at the iconic Royal Albert Hall in London. The disc is packed with electrifying performances of their hits ``Human," ``Spaceman," ``The World We Live In'' and ``This is Your Life.''

``Mr. Brightside,'' voted song of the decade by listeners of British radio station XFM, is one of the most crowd-pleasing numbers. Rock anthems like ``Smile Like You Mean it'' and ``All These Things That I've Done'' will have you singing along with the crowd. Fans can see for themselves just how good The Killers are when they perform in Seoul, Feb. 6.


Paloma Faith Offers 'Something Beautiful'


British singer Paloma Faith made a splash this year with her debut album ``Do You Want The Truth Or Something Beautiful?''
/ Courtesy of SonyBMG
By Cathy Rose A. Garcia
Staff Reporter

With her smoky voice, retro fashion and stimulating stage performances, British singer Paloma Faith has been attracting fans all around.

Faith was thrust into the spotlight this year with the hit single ``Stone Cold Sober'' from her debut album ``Do You Want The Truth Or Something Beautiful?''

In an e-mail interview with The Korea Times, the 24-year-old singer talked about her music, her stage style and a role in Terry Gilliam's film ``The Imaginarium of Doctor Parnassus.''

The album title, Faith says, is about honesty, and how sometimes it's not necessarily the best thing. ``You know when people ask you questions, and they don't necessarily want the answer? It's also about how something beautiful, even if it's a myth, is better than reality ― and I don't think there's anything wrong with that,'' she said.

Her favorite song from the album is the title track, which she says is the ``most true to her real self.'' ``It is rare that one is accepted for who they really are without criticism or contempt and mostly we go through life presenting a myth to the outside world for fear of getting hurt or being rejected,'' she said.

Originally from Hackney, East London, Faith has been performing from a young age, taking up ballet when she was four. But it was only a few years ago that she started taking music seriously.

``It's only recently that I started having singing lessons because suddenly they were like, `You need to learn how to breathe properly' and stuff. So it's kind of strange that I came to it very late in music. With the performance side, it's what saves me because it gives me confidence on stage, to pretend I think I am good,'' she admitted.

Half Spanish and half British, Faith has always been ``intrigued by surreal things like fairy tales, magic and theater because it's the expansion of disbelief,'' she wrote. ``I think it definitely affects the way that I perform and how I engage with the audience,'' she added.

Faith's resume includes jobs as a magician's assistant, a trained contemporary dancer, and an actress and performer in a burlesque show. She also studied at St. Martin's College, gaining her master's degree in theater direction.

Her background as a performer has given Faith a lot of confidence when she's on stage.

``I think that even if I sung everything out of tune, I'd still look confident. I'd say that first and foremost, I'm a performer. I started performing when I was four years old, and being on stage from a young age set me up. I went to dance school, and did a degree in contemporary dance before realizing I didn't want to be a dancer. Then, I did a master's degree in time-based arts, specializing in directing and the structure of theater,'' she said.

Her vocal style has elicited comparisons to fellow British divas Amy Winehouse and Duffy, something she considers a great compliment. ``But I hope I bring something of myself to what I do. I think I am a lot more performance-led than them,'' she said.

As for her vintage fashion style, Faith says she loves designer Alexander McQueen and is constantly inspired by style from the 1900s to the 60s.

``I try to mix their nostalgic look with a futuristic, contemporary edge. I guess I am inspired by icons like early tailoring and a lot by couture and theatre costumes. I don't think there is much difference between theatre costumes and couture,'' she said.

Faith also snagged a role in `` The Imaginarium of Doctor Parnassus,'' co-starring with the late Heath Ledger. She admitted she's been a fan of Gilliam since watching ``The Adventures of Baron Munchausen'' as a child.

``(Gilliam) is a genius, and he's influenced my visual work, and songs ― I think I write my songs as if I'm story-telling. I think a lot of that comes from film references. So it was amazing to see him in action. And actually, I had Tom Waits in my trailer practicing lines with me. It was just amazing. I was so in awe of him. … Working with Terry Gilliam was magic,'' she said.

cathy@koreatimes.co.kr



―Cathy Rose A. Garcia


december 2009

Future of Korean Fashion in 2010


Models stand on the runway for Andy & Debb’s fashion show during the 2010 spring/summer Seoul Fashion Week last October. Korean designers Kim Suk-won and Yoon Won-jung were chosen to participate in “Concept Korea: Fashion Collective 2010” during New York Fashion Week in February.
/ Courtesy of Seoul Fashion Week

By Cathy Rose A. Garcia
Staff Reporter

If 2009 was any indication, then 2010 will be an exciting time for the Korean fashion industry.

The year saw Seoul stepping up its efforts to build its reputation as an haute couture capital with two successful Seoul Fashion Week events. Next year, local designers and companies are trying to become more competitive in order to battle global fashion brands not just at home, but also overseas.

Going Global

Unlike previous years when the focus was on the local market, Seoul Fashion Week placed more emphasis on global competitiveness.

Korea Fashion Association chairman Won Dae-yun said the survival of the Korean fashion industry is hinged on its ability to compete with foreign brands. Many Korean designers and brands are known for their high-quality, but also for their expensive price tags.

``Most Korean garments are very expensive because they only focus on the local market. That's why they don't want to export. But the local market is already 50 percent occupied by foreign brands, so many local designers are screaming that they are having difficulty and can't survive. But they don't even try to make their prices lower,'' he said.



Won, the former CEO of Cheil Industries who was responsible for launching brands such as Bean Pole, suggested that Koreans should make their design, quality and pricing globally competitive if they want to make inroads into the international market. Or maybe even incorporate unique elements of Korean culture to make them stand out from the rest.

``If we do Western clothing, we should add some Korean aspects to it such as Korean colors or fabrics to make it different. Otherwise, why would they buy from us … Western people don't know much about Korean culture or lifestyle, so we should try to make them understand and recognize Korea. Maybe in five years or later, we can have a world class Korean designer or fashion brand,'' he said.

Interestingly, the government is pushing Korean fashion designers more aggressively into the international markets through fashion shows and events.

The ``Concept Korea: Fashion Collective 2010'' will introduce several Korean designers during New York Fashion Week in February. Organized by the Ministry of Culture, Sports and Tourism and the Korea Culture & Contents Agency, the project involves opening a Korean showroom at the New York Public Library from Feb. 12 to 14.

Six Korean designers have been chosen to showcase their collection: Park Choon-moo (DEMOO), Jung Wook-juun (JUUN.J), Chung Ku-ho (KUHO), Kim Suk-won and Yoon Won-jung (Andy & Debb), Hong Seung-wan (ROLIAT) and Lee Doii (Doii Paris).

Lee, who has worked for Christian Dior and Kenzo in Paris, says that Korean designers are very talented, but some haven't quite embraced the idea of going global.

``I think Korean designers haven't yet recognized the importance of being international yet because Korea has a tradition that Korean people stay together. But in the last few years, people have been more aware of the international market. But with the help of the government, I think it will start happening,'' Lee said.

Fast Fashion Wars Heat Up

As H&M, the world's third largest fashion chain in terms of revenue, is preparing to enter the Korean market, expect fiercer competition among fast fashion brands here.

The market is already filled with global brands such as Japan's Uniqlo, Spain's Zara and U.S.-based brands Gap and Forever 21.

Recently, a Korean fast fashion brand SPAO was launched by leading fashion retail conglomerate E-Land. It hopes to challenge foreign brands by offering a Korean take on fast fashion. The name SPAO is an acronym for ``specialty retailer of private label apparel original,'' which means the company produces its own clothing line and sells it exclusively in its stores.

SPAO made a big splash when it opened its three-storey flagship store in Myeongdong, alongside Uniqlo, Mango, Gap and Bean Pole, last month.

While it offers the usual range of T-shirts, jeans and sweaters, SPAO has set itself apart by tapping Korean pop groups Girls' Generation and Super Junior as image models. Girls' Generation and Super Junior members have also collaborated with SPAO to design a special line of shirts, sweaters and jackets, which are quite popular among fans.

However, H&M is looking to be a strong competitor when it opens in spring next year. The Swedish fashion chain is known for its collaborations with world famous designers such as Comme des Garcons, Karl Lagerfeld, Matthew Williamson, Jimmy Choo and Sonia Rykiel.

Emerging Fashion Trends

Meanwhile, new trends emerged at the spring and summer collections presented by local and international designers.

Women can keep an eye on trends such as sexy lingerie, bold florals, African tribal prints, puffed skirts, exaggerated ruffles and luxurious metallic fabrics. Men have it easier, tweaking their wardrobes with a few simple pieces like cuffed pants, tailored shorts and resort suits.

Say goodbye to black and dark colors, and say hello to pastel shades, perhaps a sign of more optimistic times ahead. Try injecting your wardrobe with peach pink and royal blue pieces.

Lingerie-inspired clothing, spotted on the runways from New York to Paris, is seen as a top trend for 2010. Corset tops, sheer skirts, lacy dresses and satin brassiere tops will give a sexy touch to any woman's wardrobe. However, make sure to pick lingerie-style items that will add a touch of sexiness, but in a tasteful way.

The military look has been updated with a feminine touch, as seen in elegant khaki jackets and use of softer camouflage prints.

The '80s trend shows no sign of waning, and exaggerated shoulders, boxy jackets, cinched waists, harem pants and puffed sleeves will continue to be seen in stores.

cathy@koreatimes.co.kr


Susan Boyle Is Living the 'Dream


Scottish singing sensation Susan Boyle traded her frumpy frocks for a glamorous new look to promote her debut album “I Dreamed a Dream,” which topped charts in 15 countries in November.
By Cathy Rose A. Garcia
Staff Reporter

Susan Boyle still thinks of herself as the ``wee wifey with the mop and cat next door,'' but for the rest of the world, she is a star with an angelic voice.

Her debut album ``I Dreamed a Dream'' topped the charts in 15 countries, including Korea, when it was released in November. In the United States, it reached no. 1 on the Billboard charts, selling 701,000 copies in its first week.

Boyle's story is the stuff of Hollywood movies: a frumpy spinster from a small town in Scotland goes to audition at a popular British TV talent show, dazzles everyone with her talent, and goes on to become a global phenomenon.

Her stirring rendition of ``I Dreamed a Dream'' during an audition for ``Britain's Got Talent'' thoroughly impressed the panel of judges, including Simon Cowell, and even garnered a standing ovation from the audience.

Boyle may have ended up in second place in the TV contest, but she scored a lucrative record deal. ``I went from being an unknown, nobody bothering me on the streets to all these headlines with things like 'the hairy angel'. The pressure of that I found a bit suffocating as anyone would because it all happened in such a short space of time,'' she said, in an e-mail interview with The Korea Times.

The audition clip was uploaded on YouTube, where it has since been viewed over 80 million times. ``I didn't know what YouTube was until I was in the record offices and saw the clip and the number of hits and thought, `Oh my God.' I'm still trying to come to terms with it,'' she said.

Going from nobody to a world-famous celebrity was a shock for Boyle, who spent most of her adult life living in Blackburn, a small village in West Lothian, Scotland. She didn't quite understand the hype, saying it was surreal to have strangers writing to her and TV crews outside her doorstep.

But she has grown to appreciate the overwhelming love and support of fans.

The 48-year-old singer, who once famously said she had never been kissed, has also been deluged with offers of dates from male fans.

``The fans have been amazing and the mail I have received, phenomenal. I have been sent beautiful gifts including books, toiletries and a vintage dress from the 1950's that had been in a family for generations and they wanted me to have it. It's indescribable that someone would want me to have something so precious. Everyone has shown me such kindness and support. I've even had offers of dates,'' she said.

Faced with such fame now, how does the Scottish singing sensation keep her feet on the ground? ``Remembering that I am just that wifey. My story is what you see is what you get. There's no airs and graces with me,'' she said, with refreshing candor.

Recording an album was a dream come true for Boyle, so she was determined to do her best.

``When you go into the studio, you see all these plaques on the walls of different artists and I said to myself `you're going to make an album and eventually if you're good enough you'll be there','' she said.

All the songs on the album had special personal meaning for Boyle. It includes soulful remakes of the Rolling Stones' ``Wild Horses,'' Madonna's ``You'll See,'' ``Daydream Believer,'' and the original, ``Who I Was Born to Be.''

A particular favorite of hers is the classic ``Amazing Grace.'' ``It is a beautiful song. It's a song I try to learn from, about how grace influences your life. I'd sung it as part of choral work and I think it is one of those songs that appeals across the ages,'' Boyle said.

The singer, who was bullied as a child and admitted having bouts of loneliness in her life, offers some advice to people who are going through similar experiences.

``My advice to those who dare to dream is: Don't give up. If I can do it, anyone else can too,'' she said.

cathy@koreatimes.co.kr


Welcome 2010 With DJ Steve Aoki


Top DJ Steve Aoki will play at the MILK 2010 New Year’s Eve party, with Pete Rock and Mademoiselle Yulia, at the Grand Ballroom, Grand Intercontinental Hotel, Samseong- dong, southern Seoul, Dec. 31.
By Cathy Rose A. Garcia
Staff Reporter

For a jet-setting top DJ like Steve Aoki, celebrations like New Year's Eve are not a time to be spent at home, but at a party playing music for thousands of people eager to have fun.

This year is no different. Aoki will be performing at the MILK 2010 New Year's Eve party at the Grand Ballroom, Grand Intercontinental Hotel, Samseong-dong, southern Seoul, Dec. 31.

``It's going to be my fourth time playing in Seoul. Korea is one of my favorite places to play. I'm excited to be spending New Year's Eve there,'' Aoki told The Korea Times in a phone interview.

Aoki is currently in the middle of the ``I'm in the House Asia Tour.'' He spent Christmas Day performing in Kuala Lumpur, followed by a gig in Taipei. He has a Dec. 30 show in Sapporo, before heading to Seoul for the New Year's Eve party, followed by gigs in Jakarta and Bali over the weekend.

Aoki, who plays over 300 gigs a year, says he's always been busy on New Year's Eve. ``Usually, if it's New Year's, all the top DJs are playing around the world. In the last few years, I was in Miami and Australia for New Year's Eve,'' he said.

It may be his fourth time in Seoul, but it's his first time playing here on New Year's Eve. Aoki promises to mix it up.

``I'm just going to play it by ear, see what the crowd's like. I'm going to have a lot of new songs and remixes. It's probably going to be 60 percent original tracks,'' he said.

Aoki has his own record label Dim Mak Records, which has released music by artists such as MSTRKRFT, The Bloody Beetroots, Klaxons, Scanners and Mystery Jets.

In 2010, Aoki is planning on cutting back on his club gigs. ``I'm going to have to slow down a bit as a DJ. I usually do around 300 gigs a year, maybe I'll just have around 250 next year. That'll mean more days in LA. I can finish my album, which I've been working on for the last year,'' he said.

His latest album is expected to drop in the summer. The first single ``I'm in the House,'' features [[[Zuper Blahq]]], which is a pseudonym for Black Eyed Peas frontman will.i.am.

Aoki has also been involved in fashion, creating special lines for KR3W Apparel and Supra Footwear, headphones for WESC, sunglasses for KSUBI, headwear for NEFF and bags for Burton.

Next year, Aoki is hoping to launch a new men's and women's clothing line with his sister and model Devon Aoki. The line will be called DASA, which stands for their initials.

Along with Aoki, the MILK Festival 2010 New Year's Eve party also features legendary hip-hop producer Pete Rock, Japanese DJ Mademoiselle Yulia and Risque Rhythm Machine.

Advance tickets (55,000 won) are sold until Dec. 30. Tickets at the door are 65,000 won. Visit ticket.auction.co.kr, ticket.interpark.com or partyluv.com. For VIP table reservations and tickets, e-mail milkfestival@gmail.com or call (02) 798-2584.

cathy@koreatimes.co.kr


Renaissance Frescoes at Seoul Arts Center


Pictured is a Lazzari Studio reproduction of ``Creation of Adam,'' a fresco by Michelangelo on the ceiling of the Sistine Chapel in the Vatican, Italy. It is part of the ``Masterpieces of Renaissance Frescoes,'' exhibition at Hangaram Art Museum, Seoul Arts Center. / Korea Times Photos by Cathy Rose A. Garcia

By Cathy Rose A. Garcia
Staff Reporter

There's no need to travel all the way to Italy to catch a glimpse of the impressive frescoes painted by old masters Michelangelo, Leonardo da Vinci and Raffaello. Just head to the exhibition ``Masterpieces of Renaissance Frescoes,'' which brings beautifully exact reproductions of the famous pieces of art to Seoul.

The exhibition, showing 51 reproduction frescoes by 19 Renaissance masters from all over Italy, opened last week at the Hangaram Art Museum in Seoul Arts Center, and runs through Feb. 21.

The reproductions of these frescoes are produced by Lazzari Studio from Umbria, Italy. The Lazzari family has a three-century history of replicating frescoes of Renaissance masters, using a unique technique called ``affregraphy.''

Stefano Lazzari, director of Lazzari Studio, hopes the exhibition of frescoes will re-introduce the spirit of the Renaissance in Korea.

``Unlike paintings on canvas or panels, frescoes never went on a journey despite various attempts. It never happened before in the history of art that people can appreciate frescoes of the da Vinci, Piero della Francesca, Pinturicchio and Perugino, which are widely distributed in Italy, at the same place, at the same time,'' Lazzari said.

Using the affregraphy method, Lazzari and his team painstakingly copied the frescoes in as much detail as possible. Digital images of the original frescoes are transferred to wet plaster, and then carefully painted in by hand using traditional techniques.

Many of the frescoes depict religious themes and stories and figures from the Bible. ``We are happy and thrilled to come here and introduce Renaissance art to Korea,'' said Marina Mattei, curator of Rome Museum.

The highlights of the exhibition include Michelangelo's (1476-1564) ``Universal Judgments,'' and ``Creation of Adam,'' both from the series of panels on the ceiling of the Sistine Chapel in the Vatican. The ``Creation of Adam'' depicts God reaching out to Adam, the first man according to the Bible's Book of Genesis.

Another significant piece is da Vinci's (1452-1519) ``The Last Supper,'' a fresco showing Jesus and the apostles. The work, which can be found in the refectory of the convent of Santa Maria delle Grazie in Milan, will perhaps be familiar to fans of Dan Brown's best-selling novel ``The Da Vinci Code.''

``The Baptism of Christ'' is a painting finished by Andrea del Verrochio, with the help of da Vinci, who was then a young student. Da Vinci painted the blonde angel and parts of the landscape in the piece, which is at the Uffizi Gallery in Florence.

Rafaello's (1483-1520) ``The School of Athens,'' widely considered his masterpiece, can be found in the Stanza della Segnatura in the Apostolic Palace in the Vatican.

Other must-see pieces are ``Allegory of Good Government'' by Ambrogio Lorenzetti (1290-1348), ``San Giovenale Trinity'' by Masaccio (1401-1428), ``Crucifixion'' by Giotto Di Bondone (1266-1337) and ``Nativity'' by Pinturicchio (1454-1513).

The exhibition, organized by Seoul Arts Center, the Asia Museum and the Christian Television System, is open 11 a.m. to 7 p.m. Tickets are 13,000 won for adults, 10,000 won for students and 8,000 won for children. Visit www.freescoart.co.kr or www.sac.or.kr.

To get there, get off at Nambu Bus Terminal line 3 exit 5. Take the green bus 12 or blue bus 4429 or walk five to ten minutes to Seoul Arts Center.

cathy@koreatimes.co.kr

Artist Park Ad-jong Creates Bunny Sculptures


An array of rabbit sculptures unveiled by artist Park Ad-jong for her solo show ``To Thine Own Self Be True'' at Art Link Gallery, Anguk-dong, Jongno. / Courtesy of the artist

By Cathy Rose A. Garcia
Staff Reporter

Looking at the white and gentle-looking rabbit sculptures inside Art Link gallery, one might be tempted to exclaim, ``How cute!'' For artist Park Ad-jong, the furry animal holds a special meaning for her that does not have anything to do with its cute appearance.

``When people talk about bunnies, they think of rebirth. Bunnies make a lot of babies, so it's about new beginnings. For me, bunnies represent new life. And this is the same for me, it's about starting over and rebirth,'' she told The Korea Times at the Art Link Gallery, Anguk-dong, Jongno, Wednesday.

Park is showing her rabbit and egg sculptures at a solo show ``To Thine Own Self Be True.'' The title, a line taken from Shakespeare's "Hamlet," is sort of a mantra for the artist, who has had a difficult last two years.

As problems weighed heavily on her mind, Park, a professor at Ewha Womans University, decided to work even harder by putting all of her energy into art.

``I had some legal problems last year. There were some trust issues with some people at school. (Through my art) I just wanted to say what the truth in life is. I know the truth. God knows the truth, but other people just won't tell the truth,'' she said.

In one sculpture, the rabbit is shown with one paw up, as if to say, ``Hi.'' But what Park actually intended was to show a scene from a courtroom.

``It's funny that people think the rabbit is saying, `Hi,' but actually it's like being sworn in before the court,'' she said, recalling her own experience in court.

To the ordinary observer, the bunny sculptures might have benign, if not, sweet expressions. For Park, the bunnies' expressions range from anger to frustration, reflecting her own emotional turmoil. She added some whimsical touches to them, like a funky pair of eyeglasses or a bow tie.

There's also a ``sweet'' dark brown rabbit, which Park painted with a thin layer of real chocolate. A sugary scent lingers in the air, almost tempting visitors to pick up a piece of the chocolate candy scattered on the floor.

In contrast to the rabbits, Park's egg sculptures, with their realistic eggshell texture, have an air of mystery.

``The reason I made these eggs is because when I was in the U.S., I felt like I broke through the shell and came out. But when I went back to Korea, it felt like people kept saying I should go back inside the egg … I already experienced freedom in the U.S., and now I felt like I should hide myself again,'' she said.

However, working on the sculptures for the exhibition proved to be a cathartic process for Park. ```To thine own self be true' means that no matter what the obstacles, we must stay true to our beliefs and values ― to be honest with ourselves in the face of adversity. No matter how much we may suffer and be beaten, we can always have a rebirth like the phoenix, or in a gentler way, like the rabbit and the egg,'' she said.

The exhibition runs through Dec. 31. To get to the gallery, get off at Anguk station Line 3, exit 1, turn right at the first corner and go straight. When you reach the fork in the road, turn left. Art Link is on your left. Visit www.artlink.co.kr or call (02) 738-0738.

cathy@koreatimes.co.kr


Artist Ilana Gal Offers Magic Mixture


“Red Donkey” by Ilana Gal, part of the “Magic Mixture” exhibition under way at Opera Gallery in Seoul. / Courtesy of Opera Gallery
By Cathy Rose A. Garcia
Staff Reporter

Israeli artist Ilana Gal's vividly colored paintings are filled with mysterious figures and almost indecipherable elements that may remind some of children's drawings.

It's not surprising to find out that Gal draws inspiration from her children's drawings. ``My son brought a picture from school with two figures that he painted. It was so beautiful, so I went to the studio and started to paint. I tried to do something similar and from that moment, I couldn't stop doing figures, animals. I liked it a lot,'' she told The Korea Times at a gallery last week.

Gal was in Seoul last week for the opening of ``Magic Mixture,'' a joint exhibition with Monaco artist Philippe Pastor at Opera Gallery Seoul. This is the first time her works have been shown in Korea.

The 41-year-old artist graduated with a degree in graphic design from Academic College of Emek Izrael. One of her teachers saw Gal's talent for painting and encouraged her to pursue fine art.


Israeli artist Ilana Gal is showing her works in Korea for the first time at Opera Gallery Seoul.
/ Korea Times Photo
by Cathy Rose A. Garcia
``After graduating, I decided to focus on art. I didn't like working with the computer, it was too much. So I started painting,'' Gal said.

Initially, her works were very logical and clean, showing strong influences from graphic design. But when she started working on figure paintings, it proved to be the ``release'' she needed.

Her figure paintings have received much interest from collectors, particularly in Europe. She places multiple layers of paint and other materials on the canvas, creating a rich texture.

Starting a new painting is like a new adventure for Gal, who admits she does not plan what she paints in advance. But once she starts working on a piece, she won't stop until it is finished.

``If I'm doing a painting, I can't think of anything else. I have to do one painting at a time. I have to start one, and finish it. When I start it, I don't know when it is going to be finished, but I can't leave it alone,'' she said.

Sometimes, she does not even know how many layers the painting has. Gal trusts her instincts enough to know when to stop putting on layers of colors or details.

Anat Ilan Brauner, a close friend who accompanied Gal to Seoul, says the multiple layered paintings really do represent the artist as a person. ``She has so many layers as a person. We don't even see it or know it,'' Brauner said.

With the prevalent exotic animals and figures, plus vibrant colors, the paintings also seem to have some African influence. Gal spent most of her childhood in Africa, but says she does not consciously infuse her works with African symbols.

Gal, who cites Jean Michel Basquiat, Jean Dubuffet and Lea Nikel as artists she admires, says it is important to make people feel good when they see her works.

``I'm pleased when people can see my work, feel something and connect with it,'' she said.

Perhaps it is the aura of innocence and happiness in the paintings that provoke positive reactions from the audience. Gal, a mother of four, says she still feels like a child herself sometimes.

``My paintings represent me. I think I'm still a child in a way, although I have children and I'm already grown up. I think there's a naivete in the works that come from the point of view of a mature person. There's a special tension in it,'' she said.

``Magic Mixture'' runs through Dec. 30 at Opera Gallery, Nature Poem Building, Cheongdam-dong. Visit www.operagallery.com or call (02) 3446-0070.

cathy@koreatimes.co.kr


Andy Warhol’s 15 Minutes in Seoul


Thomas Sokolowski, director of the Andy Warhol Museum in Pittsburgh, visited Seoul for the opening of the “Andy Warhol, The Greatest” exhibition at the Seoul Museum of Art. / Korea Times Photo by Cathy Rose A. Garcia

By Cathy Rose A. Garcia
Staff Reporter

``If you want to know everything about me, just look at the surface of my paintings, it's all there, there's nothing more,'' Andy Warhol once famously said.

People can discover more about the enigmatic Pop Art icon at the recently opened exhibition ``Andy Warhol, the Greatest'' at the Seoul Museum of Art (SeMA).

You Hee-young, SeMA director, said this was an invaluable opportunity to examine Warhol's art works that continue to influence contemporary art and pop culture 22 years after his death.

What exactly is the appeal of Warhol's works that has endured the decades?

``What people love about Warhol's works is that it is recognizable, and people can say that it's so-and-so. … Warhol's work speaks to the everyday person. That's part of the appeal, that he liked Muhammad Ali, and so did we. There was that familiarity that joined him with the people, no matter where they were in the world,'' Thomas Sokolowski, director of The Andy Warhol Museum, told The Korea Times.

The ``Andy Warhol, the Greatest'' exhibition is divided into 10 thematic sections that span Warhol's career as an industrial designer, artist and filmmaker. Over 400 pieces, on loan from The Andy Warhol Museum in Pittsburgh, Penn., include many representative works such as the Campbell Soup Cans and Brillo boxes, portraits of world-famous people like Marilyn Monroe and the Beatles, as well as drawings and personal keepsakes. It is interesting to see how Warhol combined pop culture and fine art in his works and turned it into a commercially successful career.

The first section of the exhibition features well-known pieces such as ``Flowers,'' ``Dollar Sign'' and ``Marilyn'' (Monroe). Sokolowski noted that when Warhol was starting as an artist, someone advised him to ``paint what you like the most.''

``So he painted money. He wanted to silkscreen dollar bills, but the printer thought it might be seen as counterfeiting. So Warhol drew a $1 bill and made it into a painting. … He grew up during the Great Depression, so he realized that money can buy stuff. He knew that money is the currency of the real world,'' he said. Incidentally, Warhol's silkscreen painting ``200 One Dollar Bills'' recently sold for $43.7 million at an auction.

Born Andrew Warhola to working class immigrant parents in 1928, Warhol was obsessed with fame and money. ``In the future, everyone will be famous for 15 minutes'' is probably his most cited quote and quite prescient, in light of society's current obsession with celebrity status.

His portraits of celebrities and important figures in politics, art, business and Hollywood will obviously attract the most attention at the exhibition. There are colorful silkscreen portraits of Jacqueline Kennedy Onassis, Michael Jackson, Muhammad Ali, the Beatles, Sylvester Stallone, Ingrid Bergman, Albert Einstein and Mao Zedong.

Warhol started making the Mao's portraits after going to Hong Kong and later Beijing in the 1960s and 70s. He found it interesting that there were huge photos of Mao throughout China, at a time when there was intense speculation whether or not the Chinese Communist Party leader was still alive.

``I think Warhol made this image because there was a phrase in Latin: `life is short, but art endures forever.' In a sense, whether Chairman Mao is dead or not, as long as his image remains, then the power of the person would exist,'' Sokolowski said.

A section is also devoted to many of Warhol's self-portraits, which show him in typical celebrity photo poses, like slightly covering his lips with his fingers or wearing sunglasses.

Sokolowski, who knew the artist for 20 years, says there were many aspects of Warhol that were always hidden from even his closest friends. Despite his high profile as a celebrity, Warhol always cultivated a mysterious persona, wearing outlandish wigs when going out in public.

``I once asked him, `Andy, why are you making the wigs so strange?' And he said, `If people look at the wig, they won't see my face.' … The person who walked in the streets was Andy Warhol the famous artist, but the man who was born Andrew Warhola, what he loved, what tragedies he suffered, we would never know. What he was saying was `If you want to see me, look at my work because that's my mirror,''' Sokolowski said.

``Andy Warhol, the Greatest'' runs through April 4 at the SeMA, downtown Seoul. It is open 10 a.m. to 9 p.m. on weekdays. On weekends, it is open until 6 p.m. through February, and to 7 p.m. from March to April. Tickets range from 8,000 to 12,000 won. To get there, get off at City Hall Station Line 1 or 2, exit 10. Visit www.warhol.co.kr or seoulmoa.seoul.go.kr.

cathy@koreatimes.co.kr


The Killers to Bring a Bit of Vegas to Seoul


American rockers The Killers promises to give a memorable performance in its first concert in Seoul, Feb. 6, Olympic Hall, Olympic Park.
/ Courtesy of Yellow Nine

By Cathy Rose A. Garcia
Staff Reporter

American alternative rock band The Killers will put on an electrifying stage performance in Seoul this coming February.

Frontman Brandon Flowers promises to display some of the band's hometown vibe when they perform on Feb. 6 at Olympic Hall, Olympic Park.

``We try to bring a little bit of Las Vegas everywhere we go, a little bit of Elvis. You'll see,'' Flowers told The Korea Times in an e-mail interview.

The group was formed in the capital city of Nevada in 2002, with Flowers on vocals and keyboards, Dave Keuning on guitar, Mark Stoermer on bass and Ronnie Vannucci on drums. Flowers met Keuning after responding to the latter's newspaper ad looking for band members that listed Oasis, The Cure, U2 and The Beatles as influences.

British rock music has always been a big influence on The Killers' music. The name of the band was taken from a fictional band in New Order's ``Crystal'' music video.

So it was appropriate that The Killers got their break in the U.K. They signed with a British indie label, and started playing in England where they attracted fans and critical acclaim. Their success in the U.K. helped them land a deal with Island Def Jam records in the U.S.

The Killers released their debut album ```Hot Fuss'' in 2004. The songs ``Mr. Brightside,'' ``All These Things That I've Done'' and ``Somebody Told Me'' helped them find mainstream success.

Since then, The Killers have released the albums ``Sam's Town'' (2006), ``Sawdust'' (2007) and ``Day & Age'' (2008).

Their breakout song, ``Mr. Brightside,'' was voted the number one song of the decade in a Nov. 29 poll of British radio listeners by XFM London. Another one of their hits, ``Somebody Told Me,'' ranked at number nine.

The Killers recently came out with ``Live from the Royal Albert Hall,'' a CD/DVD of their July 5 and 6, 2009 concerts in London.

``(Royal Albert hall) is a beautiful building, an iconic place. It was so special to play like that. So we took advantage of making a DVD out of it. I think it turned out great and I am happy with that,'' Flowers said.

Despite the intensity of their tracks, Flowers attributes the band's success to ``clean living.''

``I could not perform the way that I performed if I wasn't healthy. That's the fact. It's `new rock & roll.' And we are also involved in creating a stage set. So if we want to, we can say this is what we want, or we don't like it. We can work with people. Hopefully, as time goes by, we will grow better and things will get more exciting,'' he said.

It's only been a year since The Killers released ``Day & Age,'' but Flowers is already talking about the next one: "I've just got a feeling that it's going to be the heaviest album.''

Tickets to ``The Killers Live in Seoul'' are 77,000 and 99,000 won. The concert starts at 7 p.m. Visit ticket.interpark.com or call 1544-1555.

cathy@koreatimes.co.kr


D’Sound Has New Album, Concert


Norwegian pop duo D'Sound returns to Seoul for a concert at Melon-AX Hall, Saturday.
/ Courtesy of Private Curve
By Cathy Rose A. Garcia
Staff Reporter

Norwegian pop group D'Sound will perform in Seoul Saturday, with a new album ―``Starts and Ends'' ― but one less member.

In an e-mail interview with The Korea Times, D'Sound's Simone and Jonny Sjo talked about their sixth album, their first effort as a duo after original member Kim left.

``Starts and Ends is maybe the most important D'Sound album ever. It is very energetic and more inspired by pop and rock than our previous records. Some of the songs are retrospective and there is quite a lot of melancholy,'' they said.

They started working on the album as a trio, but Kim dropped out during production. However, Simone and Jonny decided to continue work with producer Jorn Dahl, as they felt very strongly about the material.

After losing Kim, D'Sound admitted it was strange to be working as a duo at first. But they were able to adjust quickly, as Simone and Jonny had done most of the songwriting in the past.

``There is a natural rhythm between us and it felt only natural to go on. We felt so excited about the new songs,'' they said.

Since their debut in 1997, the band has released five albums: ``Spice of Life,'' ``Beauty Is a Blessing,'' ``Talkin' Talk,'' ``Doublehearted'' and ``My Today.''

Because the members came from different musical backgrounds, the group was able to create a distinctive sound. Jonny has experience in gospel and jazz, while Simone is a pop singer and songwriter.

``We have always inspired each other to mix different styles and dare to take it a step further,'' they said.

D'Sound has always been known for its sophisticated sound, which mixes elements of pop, acid jazz, funk, R&B and soul music.

``We've definitely gone towards a more popish sound, but the main idea behind D'Sound is not to commit to any specific genre and to stay free to explore all our musical ideas and inspirations,'' they said.

The duo said the new album offers something new and distinct from their previous works. ``Starts and Ends is my favorite song on this album. It's such a dramatic, sad and beautiful song. And it is so different from our previous body of work,'' Simone said.

For Jonny, his favorite song is ``Live Forever'' because of its ``unique energy, which I haven't felt in previous D'Sound works.''

D'Sound has performed in Seoul several times before, and said all their trips had been ``fantastic,'' thanks to the love and enthusiasm from the audience.

For their up-coming Dec. 19 concert at Melon-AX Hall, the pop duo says fans can expect a show filled with energy. The set list will include songs from their latest album and past hits ``Talkin' Talk,'' ``Do I Need a Reason,'' ``Tattooed on my Mind'' and ``People are People.''

``We will be passionate musicians excited to move the crowd and be moved by the crowd. Our Korean audience has a special place in our heart, and every chance we get to visit with our music, we want to grab the opportunity and hold on to our faithful musical friends … When we feel the energy, then the concert always has the potential of becoming the best ever,'' they said.

Tickets are 77,000 won. Visit ticket.interpark.com. For English reservations, email info@privatecurve.com or call (02)563-0595. To get to Melon-AX Hall, get off at Gwangnaru Station, Line 5, Exit 2.

cathy@koreatimes.co.kr


Eric Benet Talks About 'Love & Life'


Eric Benet will serenade fans with R&B songs at a concert Dec. 19 at Yonsei University Auditorium, Seoul. / Courtesy of Private Curve
By Cathy Rose A. Garcia
Staff Reporter

R&B singer Eric Benet is thrilled to be heading to Seoul for his first solo show next weekend.

``I can tell that the Koreans are very anxious to see me perform, so you guys must be feeling my music. It makes me even more excited to come and reciprocate that excitement. What you can expect is a whole lot of positive emotion, a whole lot of feeling good and experiencing Eric Benet at his very best,'' he said, in an e-mail interview with The Korea Times.

Fans quickly snapped up tickets for the concert, which will take place at Yonsei University Auditorium, Dec. 19. Benet is one of most popular R&B musicians among Korean fans because of his soulful vocals and romantic songs: ``You're The Only One," ``Chocolate Legs" and ``Spend My Life with You."

His latest effort, ``Love & Life,'' which was nominated for a Grammy Award for Best R&B album, showed Benet's more optimistic side.

``With `Love & Life,' I guess I want to say that life is worthy to be celebrated, to be enjoyed and whenever there is a challenge in your life, keep love and light in your heart and mind, and you will make it through your challenges,'' he said.

It was also the first time in his career that Benet had full creative control over making an album. ``There was no real involvement with the record label at all, just made it and turned it into them. I feel like this album is the purest representation of me because of that,'' he said.

As a singer and songwriter, Benet says he tries to be very honest in conveying real emotions.

``When you hear great artists' music, you can hear the music and feel the pain and the beauty in their life, and when you read the lyrics, you can feel that it all came from a very honest place. And that's how I try to write music too,'' he added.

The album also featured Benet singing with his young daughter India for the first time. Like any proud father, he says India has a beautiful voice and wanted to give her a chance to show it off.

``I thought, `Why not get her to sing a little bit of back up for me?' and that's how it started. Also, India loves to sing and that's what she wants to do with her life in the future, but she understands that she needs to get her education done first,'' he said.

Benet made his debut in the music business with ``True to Myself" in 1996. Before getting a record deal, he worked for years as a singer, earning $50 a week.

``I did it for passion and love of music. I'm from the school of you know … keep practicing what you do and keep working and try to improve your game. Now that I've been in this for about 20 years, working hard and appreciating all my life experiences, I feel that when I perform on stage, my music really comes to life and takes on a whole other dimension,'' he said.

Despite his success, he still has more to accomplish. His to-do list includes: spending more time with his daughter; writing a screenplay and having a chance to work with legendary singer Chaka Khan.

Benet is very enthusiastic about his career right now, saying, ``I'm at the top of my game and I couldn't be happier.''

Tickets are 88,000 and 99,000 won. Visit ticket.interpark.com. For reservations in English, email info@privatecurve.com or call (02)563-0595.

cathy@koreatimes.co.kr


Swell Season Stay Together After Romance Is Over


The Swell Season, composed of Glen Hansard and Marketa Irglova, has recently released a new album ``Strict Joy.'' / Courtesy of SonyBMG

By Cathy Rose A. Garcia
Staff Reporter

When musicians Glen Hansard and Marketa Irglova fell in love, it seemed like a perfect match. After all, viewers had seen the chemistry between the two in the 2007 indie film ``Once.''

Like the film, it turned out the relationship was not destined for a "happily-ever-after" ending. Hansard and Irglova broke up a few months ago, but to the surprise of many, their musical partnership is still going strong. The duo, the founding members of The Swell Season, recently has released the eagerly-awaited album ``Strict Joy.''

In an e-mail interview with The Korea Times, Hansard says despite the break-up, nothing has changed when it comes to their music or live performances.

``It has not changed the way we perform together. I can't really say why it is, but thankfully, that's the one aspect of our friendship that's never changed. When we play music together, it always works. It definitely changed the way we write together, just by virtue of the fact that we're not under the same roof as much. I write my songs, and she writes hers, and I'll help her, and she'll comment on mine, but ultimately, it's a separate act,'' the Irish singer said.

Their musical relationship is obviously something special to have withstood their personal issues. Hansard and Irglova are well aware of the unique musical bond they share.

Irglova says she has always appreciated Hansard's craft as a songwriter, his poetic lyrics and his passionate live performances.

``When he is playing music, he is always very present, and gives the song everything. His passion comes across and makes people stand up from their seats, just like the quieter songs create an air of intimacy that makes one feel they are the only person in the audience being sung to,'' she says.

The 39-year-old Hansard says he has learned much from the 21-year-old Czech singer. ``She teaches me new things every day with her talent and perspective. Her songs on this record are just so mature and so clear. I envy her ability to speak clear and true,'' he said.

The album's title was taken from ``Strict Care, Strict Joy," a poem by Irish writer James Stephens that Hansard says ``really, really floored me.''

```Strict Joy' ― the idea is that if you really work, and you really get to it and you work with your art and you really dig and you really find the essence of your sadness and the essence of your troubles, often, joy can come of it. The idea is that if you take strict care ― the poem is actually called `Strict Care, Strict Joy' ― if you take real care over your work, all that can truly be born of it is good,'' he said.

Some people might look more into the lyrics of the songs on ``Strict Joy'' and jump to the conclusion that it is Hansard and Irglova's ``break up" record. ``To refer to `Strict Joy' as a `break up' record exclusively, I think would be untrue, although it does play a part in the fabric of the songs. This new bunch of songs tries to find more hope or redemption in the idea of loss or sadness,'' Hansard said.

The album comes three years after the highly-acclaimed ``Once'' soundtrack, which included the Academy Award-winning song ``Falling Slowly.'' Expectations were high for The Swell Season's next work, but Hansard says he didn't feel too much pressure.

``It is always important to try to make your music as good as it can be. But we knew that after `Once,' it would be next to impossible to match the size of the soundtrack, so we didn't even try. We just made the record as good as we could make it and the rest is up to the audience,'' he said.

The Swell Season has performed in Korea twice this year, and each time, the overwhelming enthusiasm of Korean fans has made it a memorable experience. Hansard and Irglova, who are on tour right now, hope to come back and perform again.

``It has been a very exiting time for us there. You've always given us a great time at the shows, your passion and enthusiasm has lifted our spirits and made us play better than we thought! Thank you and I hope we will see you again in the near future. In the meantime, support your local music and form your own bands! It does not matter if you can't sing! When you sing from the heart, there are no wrong notes,'' Hansard said.

cathy@koreatimes.co.kr